Download e-book for iPad: A Biographical Dictionary of Actors, Volume 14, S. Siddons by Professor Philip H Highfill Jr PhD, Professor Kalman A

By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans

ISBN-10: 0809315262

ISBN-13: 9780809315260

Just like the works already released, those newest volumes of the Biographical Dictionary care for theatre humans of each ilk, starting from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.Also renowned is Susanna Rowson, a novelist, actress, and early girl playwright. even supposing born right into a British army family members, Rowson frequently wrote performs that handled patriotic American subject matters and spent a lot of her occupation at the American stage.The theatrical jewel of those volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our mind's eye the fables of mythology, of the heroic and dignified mortals of elder time." She persevered a lot tragedy herself, together with a crippling debilitating ailment and the deaths of 5 of her seven young ones. Siddons performed significant roles in either comedy and tragedy, no longer the least of which used to be a functionality as Hamlet.

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Extra info for A Biographical Dictionary of Actors, Volume 14, S. Siddons to Thynne: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

Example text

The sons were raised as Catholics, like their father. Sarah's education was received on the move, at day schools in Worcester, Wolverhampton, and other towns throughout England's western and northern circuits where the Kembles resided for short periods, as they played in inns, barns, and ill-equipped playhouses. In the spring of 1766 when John Ward retired to Leominster, Roger Kemble took over the management of the company. " While at Mrs Harris's school for young ladies, called Thornlea House, in Worcester, young Sarah received some rebuffs because she was the child of a stroller, but she displayed talent and resourcefulness in school theatricals.

But her debut was a disaster. Still in a weakened condition and no doubt intimidated by the capital city (which evidently she had never before visited), she suffered stage fright and a collapse of talent. She lost her voice, moved badly and uncertainly; and even her costume, an ugly dress from the theatre wardrobe, conspired against her. The press uniformly damned herexcept for Bate's Morning Post. The Middlesex Journal of 30 December 1775, echoing other reviews, lamented: There is not room to expect anything beyond mediocrity.

An interlude entertainment called a Holiday Fête was also offered. " At the conclusion of the mainpiece Sarah delivered a farewell address of her own composition in verse, offering her "THREE REASONS" for quitting the Bath theatre. At the timely moment in her Page 8 address she brought onto the stage her three children, Henry, Sarah ("Sally"), and Maria. ) Sarah declared: These are the moles that bear me from your side; Where I was rootedwhere I could have died. Stand forth, ye elves, and plead your Mother's cause; Ye little magnets, whose soft influence draws Me from a point where every gentle breeze Wafted my bark to happiness and ease Sends me adventurous on a larger main, In hopes that you may profit by my gain.

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A Biographical Dictionary of Actors, Volume 14, S. Siddons to Thynne: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 by Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans


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